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Lorin
Sookool

Performance | Direction | Facilitation | Writing
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Bio

Lorin Sookool (she/her/they/them) is a South Afrikan contemporary artist with a foundation in dance. She has worked with multiple choreographers and residency bodies, with international performances in Mozambique, Italy, Germany, the Netherlands and the UK. Her artistic practice follows a process-based approach that is intuitive in nature and emergent in design, searching for the relationship between personal and collective themes; thereby becoming a reflective, reflexive, subject-centred practice. Sookool often explores complex South Afrikan socio-political themes, with a focus on situations of racial, gendered, systemic and institutionalized violence. She is currently a Master of Arts candidate at the University of Cape Town, through a scholarship from the Institute for Creative Arts (Andrew Mellon Foundation). She is the Standard Bank Young Artist Award for Dance recipient (2023), the Pina Bausch Fellowship for Choreography recipient (2021), a mother, devoted seeker and amateur astrologist who often gazes towards the planets in contemplation of their archetypal meaning, in relation to the state of things in this complex and multi-dimensional planet.

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Featured Offerings

Woza Wenties!

In this semi-autobiographical solo Sookool traces the erasure of her specific experience of blackness through various forms of colonially-informed institutions, including dance. "Wenties" refers to the Durban so-called coloured township from which she stems, Wentworth, while "woza", meaning "come", reflects her mission to recentre her own subjectives through her artistic practice. Using visual, theatrical and improvisational devices, Sookool's body signifies a body under duress, in pursuit of freedom. The work premiered at the Liverpool Biennial 2021 and has been presented at dance festivals in Durban, Mozambique, United Kingdom, Germany and Canada.

Identity, spirituality, decoloniality.

Cash Cow

Using personal politics as a starting point, in this immersive solo performance Sookool traces a reflection on the intersectionality of female success standards and the extractive quality of capitalism, through an interpellation of modern-colonial expectations of the African dancing body. The work was created as part of Sookool's final Master of Arts thesis in 2024.

Performance politics, commerciality, intersectional feminism

3 Mense Phakathi

Designed through an emergent process spanning many months with multiple public showings, Sookool offers a trio that has become a conversation about power relations, perceivable within South African civil society and dance production itself. The three dancers embody a call for "power to the people" through choreographic choices that allow for them to be seen, first as humans and second as humans with the power of choice. The work first premiered at the National Arts Festival in 2024 as the choreographer's award for the Standard Bank Young Artist for Dance. It will debut in Cape Town February 2025 as a Double bill featuring Woza Wenties! as the opening performance.

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Featured Projects
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Naledi Award Nomination 2022

Prayer Room

Prayer room is an audio-visual response to a two-month telephonic research process which looked into to the lived realities and perceptions of support, of three senior citizens based in Durban, during Covid-19. It was created through Co-Residency, a remote residency that aims to assist artists in crisis, over 12 weeks during the Covid-19 pandemic.

#ColouredConversations: The Forgotten Ones

Arts and Culture Trust

This project aimed to create an intergenerational dialogue within the community of Wentworth around topics such as the term ‘coloured’, what this grouping has meant historically and politically, Wentworth as a community “pre” and “post” Democracy, and the daily realities of these participating senior citizens.

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Mulato Sujo?

A live music and dance performance held 30 Oct - 1 Nov 2020 at Theatre Arts in Cape Town.

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Pro Helvetia Johannesburg

This was initially a research project entitled Mixed Not Diluted in which Sookool would have travelled to Mozambique. The manifestation of the project had to be adapted due to the COVID-19 global pandemic. 

The project commenced as a one-on-one workshopped creation process with Mozambican-born Cape Town based dancer/musician Sumalgy Nuro.

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What resulted was an intimate live performance centered around aspects of identity which was reviewed on The Cape Robyn.

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